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Feathers as decoration in European History Reading Answers

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Feathers as decoration in European History Reading Answers is a general reading topic. This topic discusses the feathers and their use. The given IELTS topic has originated from the book named “Cambridge IELTS 6”. The topic named Feathers as decoration in European History Reading Answers has a total of 7 questions. They are divided into choosing the correct option and selecting the correct letter.

The candidates should thoroughly read the IELTS reading passage in order to recognize the synonyms and identify the keywords and answer the questions below. IELTS reading practice papers can be taken into consideration by the candidates in order to score a good score in the reading section. These practice papers contain similar topics like Feathers as decoration in European History Reading Answers has been included.

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Section 1

Read the passage to answer the following questions

Feathers as decoration in European History Reading Answers

  1. Today, we do not generally associate feathers with the military in Europe, yet history shows that in fact feathers have played an intriguing role in European military clothing. The Bersaglieri of the Italian Army, for example, still wear a bunch of long black feathers in their hats hanging down to one side, while British fusiliers have a clipped feather plume whose color varies according to their regiment. The Royalists in the English Civil War adorned their headgear with ostrich feathers. ‘Historically, feathers were an incredibly expressive accessory for men,' observes Cambridge historian, Professor Ulinka Rublack. ‘Nobody has really looked at why this was the case. That’s a story that I want to tell.’
    Rublack is beginning to study the use of featherwork in early modern fashion as part of a joint project between the Universities of Cambridge, Basel and Bern. To the outsider, its preoccupations (her co-researchers are studying gold, glass and veils) might seem surprising. Yet such materials sustained significant economies and expertise.
  2. Rublack has spotted that something unusual started to happen with feathers during the 16th century. In 1500, they were barely worn at all in Europe; 100 years later they had become an indispensable accessory for the fashionable European man. In prosperous trading centers, the citizens started wearing hats bedecked with feathers from cranes and swallows. Headgear was specially manufactured so that feathers could be inserted more easily. By 1573, Plantin’s Flemish-French dictionary was even obliged to offer words to describe people who chose not to wear them, recommending such terms as: ‘the featherless’ and ‘unfeathered’.
  3. Leatherworking became a big business. From Prague and Nuremberg to Paris and Madrid, people started to make a living from decorating feathers for clothing. Impressive efforts went into dyeing them. A 1548 recipe recommends using ashes, lead monoxide and river water to create a ‘very beautiful’ black, for example.
  4. Why this happened will become clearer as Rublack’s project develops. One crucial driver, however, was exploration – the discovery of new lands, especially in South America. Compared with many of the other species that early European colonists encountered, exotic birds could be captured, transported and kept with relative ease. Europe experienced a sudden ‘bird-craze’, as exotic birds became a relatively common sight in the continent’s largest markets.
  5. Given the link with new territories and conquest, ruling elites wore feathers partly to express their power and reach. But there were also more complex reasons. In 1599, for example, Duke Frederick of Wurttemberg held a display at his court at which he personally appeared wearing a costume covered in exotic feathers and representing the Americas. This was not just a symbol of power, but of cultural connectedness, Rublack suggests: The message seems to be that he was embracing the global in a duchy that was quite insular and territorial.’
  6. Nor were feathers worn by the powerful alone. In 1530, a legislative assembly at Augsburg imposed restrictions on peasants and traders adopting what it clearly felt should be an elite fashion. The measure did not last, perhaps because health manuals of the era recommended feathers could keep the wearer safe from ‘bad’ air – cold, miasma, damp or excessive heat – all of which were regarded as hazardous. During the 1550s, Eleanor of Toledo had hats made from peacock feathers to keep her dry in the rain. Gradually, feathers came to indicate that the wearer was healthy and civilized. Artists and musicians took to wearing them as a mark of subtlety and style.
  7. As with most fads, this enthusiasm eventually wore off. By the mid-17th century, feathers were out of style, with one striking exception. Within the armies of Europe feathers remained an essential part of military costume. Rublack thinks that there may have been several reasons for this strange contradiction. ‘It’s associated with the notion of graceful warfaring,’ she says. This was a period when there were no standing armies and it was hard to draft soldiers. One solution was to aestheticise the military, to make it seem graceful and powerful.’ Feathers became associated with the idea of an art of warfare.
  8. ​They were also already a part of military garb among many native American peoples and in the Ottoman empire. Rublack believes that just as some of these cultures considered the feathers of certain birds to be highly significant, and sometimes sacred, European soldiers saw the feathers as imparting noble passions, bravery and courage.
  9. In time, her research may therefore reveal a tension about the ongoing use of feathers in this unlikely context. But, as she also notes, she is perhaps the first historian to have spotted the curious emotional resonance of feathers in military fashion at all. All this shows a sea-change in methodologies: historians now chart the ways in which our identities are shaped through deep connections with ‘stuff’ – the material objects that are parts of our lives.

Section 2

Solution and Explanation

Questions 34-36

Choose the correct letter, A, B, C or D.

Write the correct letter in boxes 34-36 on your answer sheet.

  1. In Section B, what information is given about the use of feathers in the 16th century?

A) Some were not real feathers, but imitations.
B) They were sometimes coloured artificially.
C) Birds were specially bred for their feathers.
D) There was some disapproval of their use for decoration.

Answer: B
Supporting Sentence: Impressive efforts went into dyeing them.
Keyword : dyeing, fethers, impressive
Keyword Location: Paragraph B, 2nd last sentence
Explanation: As per the passage, feathers were used as decorative. They were dye-ed or coloured. Hence, we can understand that impressive efforts went on dyeing them. This makes B the correct answer.

  1. Rublack suggests the feather costume worn by Duke Frederick in 1599 represented

A) a lack of sensitivity to American traditions.
B) a rejection of the beliefs held by those around him.
C) a positive attitude towards the culture of the Americas.
D) a wish to follow the fashion of the time.

Answer: C
Supporting Sentence: In 1599, for example, Duke Frederick of Wurttemberg held a display at his court at which he personally appeared wearing a costume covered in exotic feathers and representing the Americas.
Keyword : Duke Frederick of Wurttemberg, Americas, representing
Keyword Location: Paragraph C, 7th sentence
Explanation: As per the supporting sentence, we can see that the Duke wore a costume covered in feathers. This costume covered in exotice feathers not only was for display. This represented the Americas and its culture.

  1. According to Rublack, one reason why feathers survived in European military costume was because

A) birds were seen as having religious significance.
B) feathers suggested certain qualities about military activities.
C) the power of feathers was feared by other cultures.
D) soldiers came to associate particular birds with warlike qualities.

Answer: B
Supporting Sentence: Rublack thinks that there may have been several reasons for this strange contradiction.
Keyword : strange, contradiction
Keyword Location: Paragraph D, 4th sentence
Explanation: The paragraph talks about few qualities for which the military persons wear it on their costumes for ages. Hence, Rublack thinks that there may have been several reasons for this strange contradiction. Feather is soft while armies are hard and tough. Here lies the contradiction. This makes B the correct answer.

Questions 37-40

Complete each sentence with the correct ending, A-G, below.

Write the correct letter, A-G, in boxes 37-40 on your answer sheet.

  1. lost popularity in the 16th century.
  2. were used as protection from bad weather.
  3. are worn today by some soldiers.
  4. could only be worn by men of noble birth.
  5. were used to create an outfit worn by a person of high status.
  6. were once awarded for military achievements.
  7. became popular decorations for urban dwellers in the 16th century
  1. Hats decorated with long black feathers

Answer: C. are worn today by some soldiers.
Supporting Sentence: The Bersaglieri of the Italian Army, for example, still wear a bunch of long black feathers in their hats hanging down to one side, while British fusiliers have a clipped feather plume whose color varies
according to their regiment.
Keyword : black, feather, long, hats
Keyword Location: Paragraph A, 2nd sentence
Explanation: As per the passage, the armies wear black feathers in their hats hanging down to one side. Hence, they are worn today by some soldiers is the correct answer.

  1. Feathers from cranes and swallows

Answer: G. became popular decorations for urban dwellers in the 16th century
Supporting Sentence: In prosperous trading centers, the citizens started wearing hats bedecked with feathers from cranes and swallows.
Keyword : cranes, swallows
Keyword Location: Paragraph B, 3rd sentence
Explanation: The author in the whole paragraph B talks about the time from 1500 to 1548 and later. Hence, we can say that he was describing the situation and usage of feathers in the 16th century.

  1. Feathers from exotic birds

Answer: E. were used to create an outfit worn by a person of high status.
Supporting Sentence: In 1599, for example, Duke Frederick of Wurttemberg held a display at his court at which he personally appeared wearing a costume covered in exotic feathers and representing the Americas.
Keyword : exotic
Keyword Location: Paragraph C, 7th sentence
Explanation: As per the supporting sentence, we can see that the Duke wore a costume covered in exotic feathers. Duke is of high status and hence, feathers of exotic birds were used to create outfits worn by persons of high status.

  1. Peacock feathers

Answer: B. were used as protection from bad weather.
Supporting Sentence: During the 1550s, Eleanor of Toledo had hats made from peacock feathers to keep her dry in the rain.
Keyword : dry, rain, peacock feathers
Keyword Location: Paragraph D, 3rd last sentence
Explanation: The author states that peacock feathers were used to keep one dry from rain. They made hats of peacock feathers to keep them safe.

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