The programme offered by the Goldsmiths, University of LondonÊexplores the key methodologies appropriate for scholarly study of the music of the present and recent past, such as oral history and contrasting approaches to musical Ôclose readingÕ.

Musical repertoires, and notions of repertoire, are examined, and you are encouraged to ask such questions as whether the boundaries often considered to exist between, for example, Ôcontemporary concert musicÕ and Ôpopular musicÕ are still meaningful for practitioners, listeners and scholars today.

Various approaches to cultural theory are viewed in the light of what they might bring to the study of contemporary music of different kinds.

The understandings developed in your coursework culminate in the methods and approaches demonstrated in your dissertation.

This gives you the opportunity to address particular challenges of studying and writing about the music of our time arising from your own musical and theoretical enthusiasms.

The programme appeals to a wide range of students concerned to develop their understanding of today's music and keen to harness this to relevant intellectual skills.

While designed as an open-ended programme of study that can subsequently be applied in many ways within, and outside, the musical profession, it will be of special value to those preparing for further postgraduate research, and those considering careers in teaching, journalism, arts administration or the culture industries.

Skills

You'll develop:

- investigation and evaluation skills

- intellectual skills in music

- specific research skills

The programme is designed with careful consideration of the opportunities, challenges and intellectual demands presented by careers in music, such as:

- journalism

- teaching

- broadcasting

- librarianship

- historically informed performance

- contemporary composition

- arts administration