The international success of our MA in Printmaking is due to how we explore this medium in its own right, as well as its relationship to wider contemporary practices. We respond to current debates about the role of skill and authorship in the creation of artworks, as well as the notion of the unique work of art. Students will explore, experiment and research to further develop their Project Proposals.
This unit introduces students to pathway specific issues and topics, research methodologies and techniques. It aims to orientate students and their practice within the course, and develop their contextual, critical and research skills at the onset of their MA learning.
What students can expect
- To take an innovative approach, using all forms of autographic printmaking; these include intaglio, lithographic, relief print, screen-printing, letterpress and computer generated processes
- To investigate and reconsider assumptions underlying the applications of autographic processes and new technologies
- Their programmes of study to place the practice of printmaking in both a contemporary critical context as well as a wider, historical perspective
- To research the content, materials and technical skills appropriate to their projects, and produce written as well as practical work exploring their chosen subject area and relationship to contemporary practice
- Visits to important print collections and participate in symposiums and talks with curators and international artist.
- To develop a project from proposal to final exhibition
